{"id":10479,"date":"2025-10-20T11:20:01","date_gmt":"2025-10-20T11:20:01","guid":{"rendered":"https:\/\/www.typeandforme.com\/?p=10479"},"modified":"2025-10-20T11:24:02","modified_gmt":"2025-10-20T11:24:02","slug":"william-hogarth-the-five-order-of-periwigs-1761-150","status":"publish","type":"post","link":"https:\/\/www.typeandforme.com\/index.php\/2025\/10\/20\/william-hogarth-the-five-order-of-periwigs-1761-150\/","title":{"rendered":"William Hogarth: &#8216;The Five Orders of Perriwigs&#8217;, &#8216;1761&#8217;. \u00a3150"},"content":{"rendered":"\n<!--more-->\n\n\n\n<p class=\"has-text-align-center\"><strong>HOGARTH\u2019S SYSTEMATIC TAXONOMY OF WIGS, WHICH SATIRISED BOTH CONTEMPORARY FASHIONS<\/strong><br><strong>AND THE ARCHITECTURAL WORKS OF \u2018ATHENIAN\u2019 STUART, ROBERT WOOD,&nbsp;<em>ET AL<\/em>.<\/strong><\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<p><strong>HOGARTH, William.<\/strong>&nbsp;\u2018The Five Orders of Perriwigs [i.e. Periwigs] as they were Worn at the Late Coronation, Measured Architectonically\u2019. [London]: \u2018Octr. 15. 1761 &#8230; W: Hogarth\u2019 [?but&nbsp;John Boydell,&nbsp;<em>c<\/em>. 1790-1818].<\/p>\n\n\n\n<p>Etched and engraved print on unwatermarked wove paper after Hogarth (platemark: 303 x 223mm; sheet: 435 x 343mm). (Scattered, very light spotting, traces of historic mounts on one margin of verso.) A crisp impression with broad margins.<\/p>\n\n\n\n<p><br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"942\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/3212_01-lg.jpg\" alt=\"\" class=\"wp-image-10481\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/3212_01-lg.jpg 750w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/3212_01-lg-239x300.jpg 239w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/3212_01-lg-279x350.jpg 279w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure>\n<\/div>\n\n\n<p><br><\/p>\n\n\n\n<p><strong>Third state,&nbsp;<\/strong>likely issued by Boydell.<strong>&nbsp;<\/strong>The painter and engraver William Hogarth&nbsp;(1697-1764) was unable to study at university or train in a profession due to the debts his father accrued in failed attempts to publish Latin and Greek textbooks and establish a Latin-speaking coffeehouse in London. Therefore, Hogarth was apprenticed to the silver-plate engraver Ellis Gamble from&nbsp;<em>circa<\/em>&nbsp;1714 onwards and in 1720 he set up as a copper-engraver, the same year in which he enrolled at the St Martin\u2019s Lane Academy. In 1724 Hogarth joined James Thornhill\u2019s drawing school in Covent Garden and his marriage to Thornhill\u2019s daughter Jane in 1729 opened up new commissions and opportunities for him. In the early 1730s he had much success as a painter of conversation pieces and also developed his \u2018modern moral subjects\u2019 \u2013 \u2018pictorial narratives of contemporary-life subjects in series\u2019 (ODNB) \u2013 which famously included&nbsp;<em>A Harlot\u2019s Progress<\/em>&nbsp;(the engravings of the paintings published by subscription in 1732) and&nbsp;<em>A Rake\u2019s Progress<\/em>&nbsp;(completed 1734). The later 1730s and 1740s saw Hogarth\u2019s establishment as a portraitist, and eventually he would be named the \u2018father of British painting\u2019 (ODNB).<\/p>\n\n\n\n<p>Hogarth is perhaps still best known for the satires on contemporary society, fashions, and events that established his fame from 1721 onwards, such as this engraving, \u2018The Five Orders of Perriwigs\u2019, which was inspired by the coronation of King George III and Queen Charlotte in September 1761. This was the first British coronation since that of George III\u2019s grandfather more than 30 years earlier and many of the attendees competed to be among the best or most elaborately dressed at the ceremony. Hogarth applied his satirist\u2019s eye to this display of contemporary fashions, and responded with a taxonomy of wigs, employing architectural terminology to identify five \u2018orders\u2019 of wigs: \u2018Episcopal or Parsonic\u2019, \u2018Old Peerian or Aldermanic\u2019, \u2018Lexonic\u2019, \u2018Composite or Half Natural\u2019, and \u2018Queerinthian or Queue de Renard\u2019, which are supplemented by a sixth order of women\u2019s wigs&nbsp;(Doric, Ionic, Corinthian, Tuscan, and Composite, the five classical orders of architecture, were most readily distinguished by the capitals at the head of columns).<\/p>\n\n\n\n<p><br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/Hogarth-detail-1.jpg\" alt=\"\" class=\"wp-image-10482\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/Hogarth-detail-1.jpg 500w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/Hogarth-detail-1-300x300.jpg 300w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/Hogarth-detail-1-150x150.jpg 150w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/Hogarth-detail-1-350x350.jpg 350w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p><br><\/p>\n\n\n\n<p>This analogy was partially inspired the trend for analytical works on classical architecture \u2013 such as Robert Wood\u2019s&nbsp;<em>The Ruins of Palmyra<\/em>&nbsp;(1753) and&nbsp;<em>The Ruins of Balbec<\/em>&nbsp;(1757) \u2013 and by the recent advertisements for James \u2018Athenian\u2019 Stuart and Nicholas Revett\u2019s&nbsp;<em>The Antiquities of Athens Measured and Delineated<\/em>.&nbsp;<em>The Antiquities of Athens<\/em>&nbsp;was widely promoted in the years prior to its much-delayed publication in three volumes between 1762 and 1794, and Hogarth\u2019s \u2018Advertisement\u2019 at the foot of the engravings claims that in \u2018about seventeen years will be completed, in six volumes, folio, price fifteen guineas, the exact measurements of the perriwigs of the ancients; taken&nbsp;from the statues, bustos &amp; baso-relievos of Athens, Palmira, Balbec, and Rome, by: Modesto perriwig-meter from Lagado\u2019. In pursuit of \u2018exact measurement\u2019, Hogarth provides a solemn guide of mensuration, based on a head closely resembling Stuart\u2019s, which is captioned \u2018Athenian Measure\u2019 and surmounted by an inverted pair of dividers. From this are derived units of measurement: \u2018One Nodule \/ 3 Nasos \/ Each Naso 3 Minutes\u2019.<\/p>\n\n\n\n<p>This is the third of three states of the print identified by Paulson, with the inserted superscript \u2018e\u2019 above \u2018Advertisement\u2019 and the letter \u2018k\u2019 at the end of \u2018Parsonic\u2019 burnished out. This plate is on unwatermarked wove paper with broad margins, and is likely to have been issued by John Boydell between 1790 (after his purchase of the original printing plates) and their sale at auction in 1818.<\/p>\n\n\n\n<p>BM,&nbsp;<em>Political and Personal Satires<\/em>, no. 3812; R. Paulson,&nbsp;<em>Hogarth\u2019s Graphic Works<\/em>&nbsp;(1989), no. 209 (state 3\/3).<\/p>\n\n\n\n<p><strong>\u00a3150<\/strong><\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<p style=\"text-align:center\">\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/shop.typeandforme.com\/product\/william-hogarth-the-five-order-of-periwigs-1761\/\" style=\"background-color:#003b7a;letter-spacing:0.5px\"><strong>Order this print from the Type &amp; Forme Shop<\/strong><\/a><\/div>\n<\/div>\n\n\n\n<p><br><\/p>\n\n\n\n<p class=\"has-text-align-center\" style=\"letter-spacing:0.5px\">Our&nbsp;<a href=\"https:\/\/www.typeandforme.com\/index.php\/terms-conditions-of-sale\/\">Terms &amp; Conditions<\/a>&nbsp;apply.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":10482,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65,46,108],"tags":[],"class_list":["post-10479","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all-books","category-art","category-hogarth"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>William Hogarth: &#039;The Five Orders of Perriwigs&#039;, &#039;1761&#039;. \u00a3150 &#183; Type &amp; Forme<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/10\/20\/william-hogarth-the-five-order-of-periwigs-1761-150\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"William Hogarth: &#039;The Five Orders of Perriwigs&#039;, &#039;1761&#039;. \u00a3150 &#183; 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