{"id":1710,"date":"2019-02-17T12:59:23","date_gmt":"2019-02-17T12:59:23","guid":{"rendered":"https:\/\/www.typeandforme.com\/?p=1710"},"modified":"2025-03-25T13:40:42","modified_gmt":"2025-03-25T13:40:42","slug":"lawrences-guide-and-escort-to-his-celebrated-first-meeting-with-feisal","status":"publish","type":"post","link":"https:\/\/www.typeandforme.com\/index.php\/2019\/02\/17\/lawrences-guide-and-escort-to-his-celebrated-first-meeting-with-feisal\/","title":{"rendered":"Lawrence&#8217;s Guide and Escort to his First Meeting with Feisal: Obeid el Raashid, Castle Hill Press, 1997. \u00a395"},"content":{"rendered":"\n<!--more-->\n\n\n\n<p><strong>KENNINGTON, Eric Henri.<\/strong> \u2018Obeid el Raashid\u2019. Fordingbridge: Castle Hill Press, 1997.<\/p>\n\n\n\n<p>Colour print with calligraphic manuscript title and limitation, and printed artist\u2019s name and imprint below (338 x 257mm). Cardboard mount, as issued (500 x 400mm). A fine copy.<\/p>\n\n\n\n<p><br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"709\" height=\"1024\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2019\/02\/3-1-709x1024.jpg\" alt=\"\" class=\"wp-image-1675\" style=\"width:501px;height:724px\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2019\/02\/3-1-709x1024.jpg 709w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2019\/02\/3-1-350x506.jpg 350w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2019\/02\/3-1-208x300.jpg 208w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2019\/02\/3-1-242x350.jpg 242w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2019\/02\/3-1.jpg 747w\" sizes=\"auto, (max-width: 709px) 100vw, 709px\" \/><\/figure>\n<\/div>\n\n\n<p><br><\/p>\n\n\n\n<p><strong>No. 60 of 225.&nbsp;<\/strong>Obeid el Raashid (whose name was changed to Tafas el Raashid in the 1926 \u2018Subscriber\u2019s\u2019 edition of&nbsp;<em>Seven Pillars of Wisdom<\/em>), was tasked by Sherif Ali with escorting Lawrence to meet his brother, Sherif Feisal: \u2018[a]s a trustworthy man [Ali] chose out Tafas el Raashid, a Hawazim Harb tribesman, with his son, to guide me to Feisal\u2019s camp. [&#8230;] [H]e [&#8230;] charged [Tafas] most stringently to keep me from questioning and curiosity on the way, and to avoid all camps and encounters\u2019 (<em>Seven Pillars of Wisdom<\/em> (London, 1935), p. 76-77). Tafas offered instruction to the inexperienced Lawrence on how to ride his camel, which \u2018was one of the few subjects on which he would speak. His orders to preserve me from contact with the world seemed to have closed even his mouth. A pity, for his dialect interested me\u2019 (<em>op. cit<\/em>., p. 80)<em>.<\/em><\/p>\n\n\n\n<p>When they arrived at their destination, \u2018Tafas said something to a slave who stood there with silver-hilted sword in hand. He led me to an inner court, on whose further side, framed between the uprights of a black doorway, stood a white figure waiting tensely for me. I felt at first glance that this was the man I had come to Arabia to seek \u2013 the leader who would bring the Arab Revolt to full glory. Feisal looked very tall and pillar-like, very slender, in his long white silk robes and his brown head-cloth bound with a brilliant scarlet and gold cord. His eyelids were dropped; and his black beard and colourless face were like a mask against the strange, still watchfulness of his body. His hands were crossed in front of him on his dagger\u2019 (<em>op. cit<\/em>., pp. 90-91)<em>.<\/em><\/p>\n\n\n\n<p><strong>\u00a395<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-headings-color has-text-color has-background\" style=\"background-color:#e4f6ff\"><strong><a rel=\"noreferrer noopener\" aria-label=\"click here to read the introduction. (opens in a new tab)\" href=\"https:\/\/www.typeandforme.com\/index.php\/2019\/02\/16\/t-e-lawrences-contacts-eric-kenningtons-arab-portraits-for-seven-pillars-of-wisdom\/\" target=\"_blank\">Click here to read the introduction<\/a><\/strong> to Eric Kennington&#8217;s Arab Portraits.<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<p style=\"text-align:center\">\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\" style=\"letter-spacing:0.5px\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/shop.typeandforme.com\/product\/eric-kennington-obeid-el-raashid-from-seven-pillars-of-wisdom-1997\/\" style=\"background-color:#003b7a\"><strong>Order this print from the Type &amp; Forme Shop<\/strong><\/a><\/div>\n<\/div>\n\n\n\n<p><br><\/p>\n\n\n\n<p class=\"has-text-align-center\" style=\"letter-spacing:0.5px\">Our <a href=\"https:\/\/www.typeandforme.com\/index.php\/terms-conditions-of-sale\/\">Terms &amp; Conditions<\/a> apply.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":7631,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62,24,23],"tags":[],"class_list":["post-1710","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lawrence-portraits-for-gallery","category-portraits","category-t-e-lawrence"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lawrence&#039;s Guide and Escort to his First Meeting with Feisal: Obeid el Raashid, Castle Hill Press, 1997. \u00a395 &#183; Type &amp; Forme<\/title>\n<meta name=\"description\" content=\"A portrait by Eric Kennington for T.E. 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