{"id":5851,"date":"2020-05-29T17:49:11","date_gmt":"2020-05-29T17:49:11","guid":{"rendered":"https:\/\/www.typeandforme.com\/?p=5851"},"modified":"2024-12-07T15:28:21","modified_gmt":"2024-12-07T15:28:21","slug":"niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600","status":"publish","type":"post","link":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/","title":{"rendered":"Niccol\u00f2 Schiavonetti and Sir Thomas Phillips: Portrait of Sir Joseph Banks, Bt, 1812. SOLD"},"content":{"rendered":"\n<!--more-->\n\n\n\n<p class=\"has-text-align-center\"><strong>SCHIAVONETTI\u2019S ENGRAVING OF PHILLIPS\u2019 CELEBRATED PORTRAIT OF BANKS&nbsp;<\/strong><br><strong>FROM THE COLLECTION OF ROBERT BRINSLEY BURBIDGE<\/strong><\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<p><strong>BANKS, Sir Joseph, Bt \u2013 Niccol\u00f2 SCHIAVONETTI (engraver) and Sir Thomas PHILLIPS (artist).&nbsp;<\/strong>\u2018To the King\u2019s most excellent Majesty This Print of Sir Joseph Banks Bart. President of the Royal Society, is with His Gracious Permission (Granted in July 1809) humbly Dedicated by His Majesty\u2019s most dutiful Subjects and Servants\u2019. London:&nbsp;Niccol\u00f2 Schiavonetti, 1812.<\/p>\n\n\n\n<p>Engraved portrait on wove paper (platemark: 515 x 355mm; sheet: 550 x 420mm). (Laid down onto later (?19th-century) paper support,&nbsp;some light spotting, margins with some light marking, surface abrasion, and short tears.) Modern glazed frame.&nbsp;<em>Provenance<\/em>: small [?]20<sup>th<\/sup>-century inkstamp \u2018Folio\u2019 on margin \u2013&nbsp;<strong>Robert Brinsley Burbidge<\/strong>&nbsp;(1943-2019).<\/p>\n\n\n\n<p><br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2022\/04\/2759_02.jpg\" alt=\"\" class=\"wp-image-5852\"\/><\/figure>\n<\/div>\n\n\n<p><br><\/p>\n\n\n\n<p><strong>Second state, with letters, of Schiavonetti\u2019s engraving of Phillips\u2019 celebrated portrait.&nbsp;<\/strong>This engraving by Niccol\u00f2 Schiavonetti (<em>c<\/em>. 1771-1813) was the earliest and most faithful rendition of Thomas Phillips\u2019 celebrated portrait of Sir Joseph Banks&nbsp;Bt (1743-1820), which had been commissioned in 1807 by Banks\u2019 friend and scientific associate Jos\u00e9 (or Joseph) de Mendoza y R\u00edos (1761-1816) and painted in 1808-1809.&nbsp;<\/p>\n\n\n\n<p>Banks had been elected a Fellow of the Royal Society in 1766 and served as its President from 1778 to his death. Earlier portraits of Banks included those by Joshua Reynolds and Benjamin West, which had been exhibited at the Royal Academy after his return from the&nbsp;<em>Endeavour<\/em>\u2019s circumnavigation in 1773, but (although Banks had previously also been the subject of numerous caricatures) \u2018Banksian iconography altered significantly in 1795, when the King awarded him the Red Ribbon of the Order of the Bath\u2019, which \u2018signified immense prestige\u2019 (Patricia Fara, \u2018The Royal Society\u2019s Portrait of Joseph Banks\u2019,&nbsp;<em>Notes and Records of the Royal Society of London<\/em>&nbsp;51 (1997), pp. 199-210, at p. 203). The present engraving is dedicated to George III, and depicts Banks wearing the insignia of the Order of Bath, seated at a table in the Royal Society\u2019s Presidential chair bearing the Society\u2019s coat of arms, before a marble fireplace with a lion\u2019s head design, while a cushion with the Society\u2019s Charles II mace and its George III silver inkstands lie before him on the table. Two scientific texts were incorporated into the picture at Banks\u2019 own request: the first is a manuscript of Mendoza y R\u00edos\u2019 1801 paper on the reflecting circle, since this would \u2018mark the Circumstance of the Picture having been Painted for my friend\u2019 (letter from Banks to Phillips of 1 April 1809, quoted by Fara, p. 206). The second, which Banks holds in his hand, is Humphry Davy\u2019s Royal Society Bakerian Lecture for 1808, \u2018On Some New Phenomena of Chemical Changes Produced by Electricity\u2019, with which Banks \u2018advertised himself as Davy\u2019s patron, the learned sponsor of research into the physical sciences\u2019 (Fara,&nbsp;<em>loc. cit<\/em>.). Phillips\u2019 carefully structured and composed portrait is notable for \u2018visually combining electrical chemistry, astronomy and botany in a single image\u2019 (Fara, p. 206;&nbsp;<em>cf<\/em>. also R\u00fcdiger Joppien, \u2018Sir Joseph Banks and the World of Art in Great Britain\u2019, in R.E.R. Banks&nbsp;<em>et al<\/em>. (eds),&nbsp;<em>Sir Joseph Banks: A Global Perspective&nbsp;<\/em>(London, 1994), pp. 87-103, at p. 89).&nbsp;<\/p>\n\n\n\n<p>Mendoza y R\u00edos, the patron of the portrait, first attracted widespread attention with his 1787 treatise on navigation, was elected a Fellow of the Royal Society in 1793, and was also noted for designing and improving scientific instruments (his paper on the reflecting circle which is shown here was published in the Royal Society\u2019s&nbsp;<em>Philosophical Transactions<\/em>&nbsp;in 1801). Once Phillips\u2019 portrait was finished, Mendoza y R\u00edos \u2018presented the picture to Banks for one of his homes [&#8230;]. The portrait itself was first displayed at the Royal Academy in spring 1809; one copy was later permanently hung in London at the Royal Society, and a second copy (now in Canberra) was in Devon at the home of the Duke of Somerset, probably in the dressing room of his wife, an ardent correspondent of Banks\u2019 (Fara, p. 205). The original is now at the State Library of New South Wales, Sydney, but \u2018a copy of the portrait (1815, also by Thomas Phillips) was requested by the Royal Society and now hangs behind the president&#8217;s chair in the society&#8217;s council room\u2019 (ODNB,&nbsp;<em>s.v<\/em>. \u2018Mendoza y R\u00edos, Joseph de\u2019).<\/p>\n\n\n\n<p>Schiavonetti\u2019s engraving was published for sale in 1812 with the intention of bringing Phillips\u2019 portrait to a wider audience, and its preparation was \u2018carefully monitored\u2019 by Banks: \u2018[a]rtists were keen to increase their popularity and their income by having their oil paintings engraved, and Phillips raised the subject before the original portrait was even completed. Displaying false modesty, Banks protested his unsuitability as a subject: \u201ca man like me who has never med[d]led in Politics &amp; who Cannot of Course possess a Squadron of Enthusiastic Friends is not likely to Sell a dear Print &#8230; I very much doubt in my Case whether a Print of me will Ever Satisfy the pert Claims of a good Engraver &amp; Confess therefore that I See not [<em>sic<\/em>] hopes of any profit being Reapd by the Father artist of the Painter\u201d. However, it was in the same letter that he boasted about the popularity of the engraving of [John] Russell\u2019s [pastel] drawing [of 1788, engraved by Joseph Collyer in 1789]. He then tried to ensure that Phillips employed Banks\u2019 engraver: \u201cI beg however to hint that as much as I admire the Burin of Schiavonetti I should was I to direct Employ Sharp he has engraved [Matthew] Boulton &amp; John Hunter admirably\u201d\u2019 (Fara, p. 206, quoting a letter from Banks to Phillips of 12 September 1808). Luigi Schiavonetti had engraved Phillips\u2019 1807 portrait of William Blake, and his brother Niccol\u00f2 Schiavonetti was \u2018[d]escribed by a contemporary as \u201can engraver of great eminence\u201d, [and] produced a number of outstanding works\u2019 (ODNB,&nbsp;<em>s.v<\/em>. \u2018Schiavonetti, Luigi\u2019). Niccol\u00f2 Schiavonetti\u2019s \u2018facility in portraiture ensured that he engraved (and published) Phillips\u2019s portrait of Joseph Banks (1812) on the recommendation of the&nbsp;artist\u2019 (<em>loc. cit<\/em>.). This was not only the first engraving of the portrait, but also \u2018[t]he only faithful replication of the entire picture\u2019, since \u2018[s]ubsequent engravers altered details and reduced the image\u2019 (Fara, p. 206). The engraving is known in two states: the first before letters and the second (as here) with letters.&nbsp;<\/p>\n\n\n\n<p><br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"341\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2022\/04\/2759_02-detail.jpeg\" alt=\"\" class=\"wp-image-7149\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2022\/04\/2759_02-detail.jpeg 350w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2022\/04\/2759_02-detail-300x292.jpeg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/figure>\n<\/div>\n\n\n<p><br><\/p>\n\n\n\n<p>This portrait of Banks was formerly in the collection of the botanist, historian of natural history, and photographer Robert Brinsley Burbidge PhD, FRPS, who was born in Stamford and received his undergraduate education at the University of St Andrews before studying for a doctorate at Edinburgh University. Following a position at the Royal Botanic Garden Edinburgh, Burbidge was appointed head of the Department of Information and Education at the Royal Botanic Gardens, Kew \u2013 of which Banks had effectively been Director \u2013 where he met Shirley Sherwood, whom he advised on her celebrated collection of botanical art. In the last decade of the twentieth century Burbidge moved to the United States to take up the position of Director of the&nbsp;Fairchild Tropical Botanic Garden in Florida, which he left on his appointment as Director of the Denver Botanic Garden, Colorado in 1999. This was followed by the position of&nbsp;Director of St. George Village Botanical Gardens, US Virgin Islands and, finally, the management of the landscape of a private island near St Thomas, undertaken in partnership with his wife, the gardener and artist Julie Loquidis.&nbsp;<\/p>\n\n\n\n<p>R. Burgess,&nbsp;<em>Portraits of Doctors &amp; Scientists in the Wellcome Institute of the History of Medicine<\/em>&nbsp;(London, 1973), 164.11; C. Le Blanc,&nbsp;<em>Manuel de l\u2019amateur d\u2019estampes<\/em>&nbsp;(Paris, 1854-1890), III, p. 449, \u2018Schiavonetti (Nicolo)\u2019, no. 9.&nbsp;<\/p>\n\n\n\n<p><strong>SOLD<\/strong><\/p>\n\n\n\n<p style=\"text-align:center\">\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<p class=\"has-text-align-center\">Our&nbsp;<a href=\"https:\/\/www.typeandforme.com\/index.php\/terms-conditions-of-sale\/\">Terms &amp; Conditions<\/a>&nbsp;apply.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":5852,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[],"class_list":["post-5851","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-banks"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Niccol\u00f2 Schiavonetti and Sir Thomas Phillips: Portrait of Sir Joseph Banks, Bt, 1812. SOLD &#183; Type &amp; Forme<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Niccol\u00f2 Schiavonetti and Sir Thomas Phillips: Portrait of Sir Joseph Banks, Bt, 1812. SOLD &#183; Type &amp; Forme\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/\" \/>\n<meta property=\"og:site_name\" content=\"Type &amp; Forme\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/TypeAndForme\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-05-29T17:49:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-12-07T15:28:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2022\/04\/2759_02-e1701271547957.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"599\" \/>\n\t<meta property=\"og:image:height\" content=\"599\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"typeandforme@typeandforme.com\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"typeandforme@typeandforme.com\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/index.php\\\/2020\\\/05\\\/29\\\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/index.php\\\/2020\\\/05\\\/29\\\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\\\/\"},\"author\":{\"name\":\"typeandforme@typeandforme.com\",\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/#\\\/schema\\\/person\\\/eb3e6ea8dc6c48a1f23ec668cbe5d8ce\"},\"headline\":\"Niccol\u00f2 Schiavonetti and Sir Thomas Phillips: Portrait of Sir Joseph Banks, Bt, 1812. SOLD\",\"datePublished\":\"2020-05-29T17:49:11+00:00\",\"dateModified\":\"2024-12-07T15:28:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/index.php\\\/2020\\\/05\\\/29\\\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\\\/\"},\"wordCount\":1299,\"publisher\":{\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/index.php\\\/2020\\\/05\\\/29\\\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.typeandforme.com\\\/wp-content\\\/uploads\\\/2022\\\/04\\\/2759_02-e1701271547957.jpg\",\"articleSection\":[\"Banks\"],\"inLanguage\":\"en-GB\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/index.php\\\/2020\\\/05\\\/29\\\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\\\/\",\"url\":\"https:\\\/\\\/www.typeandforme.com\\\/index.php\\\/2020\\\/05\\\/29\\\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\\\/\",\"name\":\"Niccol\u00f2 Schiavonetti and Sir Thomas Phillips: Portrait of Sir Joseph Banks, Bt, 1812. SOLD &#183; Type &amp; Forme\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/index.php\\\/2020\\\/05\\\/29\\\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/index.php\\\/2020\\\/05\\\/29\\\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.typeandforme.com\\\/wp-content\\\/uploads\\\/2022\\\/04\\\/2759_02-e1701271547957.jpg\",\"datePublished\":\"2020-05-29T17:49:11+00:00\",\"dateModified\":\"2024-12-07T15:28:21+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/index.php\\\/2020\\\/05\\\/29\\\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.typeandforme.com\\\/index.php\\\/2020\\\/05\\\/29\\\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/index.php\\\/2020\\\/05\\\/29\\\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.typeandforme.com\\\/wp-content\\\/uploads\\\/2022\\\/04\\\/2759_02-e1701271547957.jpg\",\"contentUrl\":\"https:\\\/\\\/www.typeandforme.com\\\/wp-content\\\/uploads\\\/2022\\\/04\\\/2759_02-e1701271547957.jpg\",\"width\":599,\"height\":599},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/index.php\\\/2020\\\/05\\\/29\\\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.typeandforme.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Niccol\u00f2 Schiavonetti and Sir Thomas Phillips: Portrait of Sir Joseph Banks, Bt, 1812. SOLD\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/#website\",\"url\":\"https:\\\/\\\/www.typeandforme.com\\\/\",\"name\":\"Type & Forme\",\"description\":\"Rare books &amp; manuscripts by Mark James &amp; Anke Timmermann\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.typeandforme.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/#organization\",\"name\":\"Type & Forme\",\"url\":\"https:\\\/\\\/www.typeandforme.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.typeandforme.com\\\/wp-content\\\/uploads\\\/2018\\\/09\\\/Logo-for-web-e1539721767182.png\",\"contentUrl\":\"https:\\\/\\\/www.typeandforme.com\\\/wp-content\\\/uploads\\\/2018\\\/09\\\/Logo-for-web-e1539721767182.png\",\"width\":1000,\"height\":1000,\"caption\":\"Type & Forme\"},\"image\":{\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/TypeAndForme\\\/\",\"https:\\\/\\\/www.instagram.com\\\/typeandforme\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.typeandforme.com\\\/#\\\/schema\\\/person\\\/eb3e6ea8dc6c48a1f23ec668cbe5d8ce\",\"name\":\"typeandforme@typeandforme.com\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/7b0a711546b756a7b56a5fe56028dfc3d2324dccabea16c5e3de3531fd1b7fb9?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/7b0a711546b756a7b56a5fe56028dfc3d2324dccabea16c5e3de3531fd1b7fb9?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/7b0a711546b756a7b56a5fe56028dfc3d2324dccabea16c5e3de3531fd1b7fb9?s=96&d=mm&r=g\",\"caption\":\"typeandforme@typeandforme.com\"},\"url\":\"https:\\\/\\\/www.typeandforme.com\\\/index.php\\\/author\\\/typeandformetypeandforme-com\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Niccol\u00f2 Schiavonetti and Sir Thomas Phillips: Portrait of Sir Joseph Banks, Bt, 1812. SOLD &#183; Type &amp; Forme","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/","og_locale":"en_GB","og_type":"article","og_title":"Niccol\u00f2 Schiavonetti and Sir Thomas Phillips: Portrait of Sir Joseph Banks, Bt, 1812. SOLD &#183; Type &amp; Forme","og_url":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/","og_site_name":"Type &amp; Forme","article_publisher":"https:\/\/www.facebook.com\/TypeAndForme\/","article_published_time":"2020-05-29T17:49:11+00:00","article_modified_time":"2024-12-07T15:28:21+00:00","og_image":[{"width":599,"height":599,"url":"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2022\/04\/2759_02-e1701271547957.jpg","type":"image\/jpeg"}],"author":"typeandforme@typeandforme.com","twitter_card":"summary_large_image","twitter_misc":{"Written by":"typeandforme@typeandforme.com","Estimated reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/#article","isPartOf":{"@id":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/"},"author":{"name":"typeandforme@typeandforme.com","@id":"https:\/\/www.typeandforme.com\/#\/schema\/person\/eb3e6ea8dc6c48a1f23ec668cbe5d8ce"},"headline":"Niccol\u00f2 Schiavonetti and Sir Thomas Phillips: Portrait of Sir Joseph Banks, Bt, 1812. SOLD","datePublished":"2020-05-29T17:49:11+00:00","dateModified":"2024-12-07T15:28:21+00:00","mainEntityOfPage":{"@id":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/"},"wordCount":1299,"publisher":{"@id":"https:\/\/www.typeandforme.com\/#organization"},"image":{"@id":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/#primaryimage"},"thumbnailUrl":"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2022\/04\/2759_02-e1701271547957.jpg","articleSection":["Banks"],"inLanguage":"en-GB"},{"@type":"WebPage","@id":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/","url":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/","name":"Niccol\u00f2 Schiavonetti and Sir Thomas Phillips: Portrait of Sir Joseph Banks, Bt, 1812. SOLD &#183; Type &amp; Forme","isPartOf":{"@id":"https:\/\/www.typeandforme.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/#primaryimage"},"image":{"@id":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/#primaryimage"},"thumbnailUrl":"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2022\/04\/2759_02-e1701271547957.jpg","datePublished":"2020-05-29T17:49:11+00:00","dateModified":"2024-12-07T15:28:21+00:00","breadcrumb":{"@id":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/#primaryimage","url":"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2022\/04\/2759_02-e1701271547957.jpg","contentUrl":"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2022\/04\/2759_02-e1701271547957.jpg","width":599,"height":599},{"@type":"BreadcrumbList","@id":"https:\/\/www.typeandforme.com\/index.php\/2020\/05\/29\/niccolo-schiavonetti-and-sir-thomas-phillips-portrait-of-sir-joseph-banks-bt-1812-600\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.typeandforme.com\/"},{"@type":"ListItem","position":2,"name":"Niccol\u00f2 Schiavonetti and Sir Thomas Phillips: Portrait of Sir Joseph Banks, Bt, 1812. SOLD"}]},{"@type":"WebSite","@id":"https:\/\/www.typeandforme.com\/#website","url":"https:\/\/www.typeandforme.com\/","name":"Type & Forme","description":"Rare books &amp; manuscripts by Mark James &amp; Anke Timmermann","publisher":{"@id":"https:\/\/www.typeandforme.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.typeandforme.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/www.typeandforme.com\/#organization","name":"Type & Forme","url":"https:\/\/www.typeandforme.com\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.typeandforme.com\/#\/schema\/logo\/image\/","url":"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2018\/09\/Logo-for-web-e1539721767182.png","contentUrl":"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2018\/09\/Logo-for-web-e1539721767182.png","width":1000,"height":1000,"caption":"Type & Forme"},"image":{"@id":"https:\/\/www.typeandforme.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/TypeAndForme\/","https:\/\/www.instagram.com\/typeandforme\/"]},{"@type":"Person","@id":"https:\/\/www.typeandforme.com\/#\/schema\/person\/eb3e6ea8dc6c48a1f23ec668cbe5d8ce","name":"typeandforme@typeandforme.com","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/7b0a711546b756a7b56a5fe56028dfc3d2324dccabea16c5e3de3531fd1b7fb9?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/7b0a711546b756a7b56a5fe56028dfc3d2324dccabea16c5e3de3531fd1b7fb9?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/7b0a711546b756a7b56a5fe56028dfc3d2324dccabea16c5e3de3531fd1b7fb9?s=96&d=mm&r=g","caption":"typeandforme@typeandforme.com"},"url":"https:\/\/www.typeandforme.com\/index.php\/author\/typeandformetypeandforme-com\/"}]}},"_links":{"self":[{"href":"https:\/\/www.typeandforme.com\/index.php\/wp-json\/wp\/v2\/posts\/5851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.typeandforme.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.typeandforme.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.typeandforme.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.typeandforme.com\/index.php\/wp-json\/wp\/v2\/comments?post=5851"}],"version-history":[{"count":5,"href":"https:\/\/www.typeandforme.com\/index.php\/wp-json\/wp\/v2\/posts\/5851\/revisions"}],"predecessor-version":[{"id":9722,"href":"https:\/\/www.typeandforme.com\/index.php\/wp-json\/wp\/v2\/posts\/5851\/revisions\/9722"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.typeandforme.com\/index.php\/wp-json\/wp\/v2\/media\/5852"}],"wp:attachment":[{"href":"https:\/\/www.typeandforme.com\/index.php\/wp-json\/wp\/v2\/media?parent=5851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.typeandforme.com\/index.php\/wp-json\/wp\/v2\/categories?post=5851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.typeandforme.com\/index.php\/wp-json\/wp\/v2\/tags?post=5851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}