{"id":6826,"date":"2023-04-04T13:29:55","date_gmt":"2023-04-04T13:29:55","guid":{"rendered":"https:\/\/www.typeandforme.com\/?p=6826"},"modified":"2024-04-25T19:38:12","modified_gmt":"2024-04-25T19:38:12","slug":"matrix-a-review-for-printers-bibliophiles-8-1988-one-of-800-copies-135","status":"publish","type":"post","link":"https:\/\/www.typeandforme.com\/index.php\/2023\/04\/04\/matrix-a-review-for-printers-bibliophiles-8-1988-one-of-800-copies-135\/","title":{"rendered":"Matrix. A Review for Printers &#038; Bibliophiles, 8, 1988 &#8211; one of 800 copies. \u00a3135"},"content":{"rendered":"\n<!--more-->\n\n\n\n<p><strong>RANDLE, John and Rosalind (editors).<\/strong>&nbsp;<em>Matrix. A Review for Printers &amp; Bibliophiles<\/em>. Issue 8. Andoversford: The Whittington Press, 1988.<\/p>\n\n\n\n<p>Quarto (277 x 193mm), pp. [2 (blank l.)], [6], 191, [1 (blank)]. Printed in 12-point Monotype Caslon on Sommerville Laid and Zerkall Halbmatt papers. Colour-linocut printed wood-engraved frontispiece after Howard Phipps, 4 large folding plates, 4 ll. with samples of Chinese decorated papers pasted recto-and-verso (tissue-guards facing the first and last), one silk-screened plate printed on green paper, and 13 half-tone and black-and-white plates printed recto-and-verso. Booklets bound in&nbsp;<em>hors texte<\/em>. Numerous further colour and black-and-white illustrations in various techniques in the text and tipped in, among which samples of marbled papers. Loosely inserted letterpress-printed subscription sheet for&nbsp;<em>Matrix&nbsp;<\/em>9 and illustrated publication announcement\/pre-order form for&nbsp;<em>The Black Figures of Edward Gordon Craig<\/em>. (Light offsetting on loosely inserted publication announcement.) Original boards by The Fine Bindery covered with paper designed by Vance Gerry, pale-brown dustwrapper printed in black and gold, upper panel illustrated with colour pochoir by Gerry and stencilled by Sylvia Stokeld, brown endpapers, top edges cut, others trimmed. (Dustwrapper spine slightly faded, dustwrapper slightly rubbed and creased at edges, causing one short tear, top and fore-edges very lightly spotted.) A very good copy.&nbsp;<em>Provenance<\/em>:&nbsp;<strong>David and Diana Wilson.<\/strong><\/p>\n\n\n\n<p><br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"475\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2023\/04\/2915_01.jpeg\" alt=\"\" class=\"wp-image-6819\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2023\/04\/2915_01.jpeg 350w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2023\/04\/2915_01-221x300.jpeg 221w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2023\/04\/2915_01-258x350.jpeg 258w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/figure>\n<\/div>\n\n\n<p><br><\/p>\n\n\n\n<p><strong>First edition, one of 800 copies in boards,&nbsp;<\/strong>from an edition of 900. Pochoir is one of the main subjects of 1988\u2019s&nbsp;<em>Matrix&nbsp;<\/em>8: there is an introduction to the technique by Vance Gerry of the Weather Bird Press \u2013 who also designed the patterned paper which covers these boards and the charming pochoir illustration on the dustwrapper \u2013 and the article also includes a tipped-in sample of decorated paper using pochoir as repeat pattern. This is followed by David Butcher on \u2018Pochoir at Curwen\u2019. Decorated and marbled papers form another theme in this issue, from Robin Heyeck on \u2018Marbling as Book Illustration\u2019 via Tanya Schmoller\u2019s \u2018Chinese Decorated Papers\u2019 (with samples) to Schmoller on Edward Seymour\u2019s Fancy Paper Company, which includes a short essay by Seymour\u2019s nephew William on \u2018Marbling with my Uncle\u2019.<\/p>\n\n\n\n<p><br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"482\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2023\/04\/2915_02.jpeg\" alt=\"\" class=\"wp-image-6820\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2023\/04\/2915_02.jpeg 350w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2023\/04\/2915_02-218x300.jpeg 218w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2023\/04\/2915_02-254x350.jpeg 254w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/figure>\n<\/div>\n\n\n<p><br><\/p>\n\n\n\n<p>A third major topic of this issue is typography, including Stan Nelson on the intricacies of \u2018Cutting a New Music Type\u2019, the Smithsonian Institution\u2019s Elizabeth Harris on its typographic collections, and Brooke Crutchley\u2019s discussion of \u2018Types for Books at Cambridge, 1923-45\u2019. Other articles on notable presses and their founders include a profile of Gloria Stuart by Ward Ritchie and Christopher Skelton\u2019s \u2018In the Golden Cockerel\u2019s Footprints\u2019. Insights into wood-engraving (Howard Phipps, Simon Brett), \u2018The Printing of Mathematics\u2019 (David Wishart), \u2018Edward Bawden\u2019s Bird\u2019s Nest\u2019 (David McKitterick), the correspondence between Stanley Morison and Jan van Krimpen, and many others articles complete the typically varied contents of this issue of&nbsp;<em>Matrix<\/em>.&nbsp;<\/p>\n\n\n\n<p>This copy is from the library of the late David and Diana Wilson. David Wilson was a printer, friend and collaborator of Graham Williams (the founder of the Florin Press), and collector of private press books.<\/p>\n\n\n\n<p><strong>\u00a3135<\/strong><\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<p style=\"text-align:center\">\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\" style=\"letter-spacing:0.5px\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/shop.typeandforme.com\/product\/matrix-a-review-for-printers-bibliophiles-8-1988\/\" style=\"background-color:#003b7a\"><strong>Order this book from the Type &amp; Forme Shop<\/strong><\/a><\/div>\n<\/div>\n\n\n\n<p><br><\/p>\n\n\n\n<p class=\"has-text-align-center\" style=\"letter-spacing:0.5px\">Our&nbsp;<a href=\"https:\/\/www.typeandforme.com\/index.php\/terms-conditions-of-sale\/\">Terms &amp; Conditions<\/a>&nbsp;apply.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":6819,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65,106,48],"tags":[],"class_list":["post-6826","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all-books","category-bibliography","category-private-press"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Matrix. A Review for Printers &amp; Bibliophiles, 8, 1988 - one of 800 copies. \u00a3135 &#183; Type &amp; Forme<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.typeandforme.com\/index.php\/2023\/04\/04\/matrix-a-review-for-printers-bibliophiles-8-1988-one-of-800-copies-135\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Matrix. 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