{"id":7987,"date":"2018-11-27T17:04:14","date_gmt":"2018-11-27T17:04:14","guid":{"rendered":"https:\/\/www.typeandforme.com\/?p=7987"},"modified":"2024-01-14T15:41:11","modified_gmt":"2024-01-14T15:41:11","slug":"art-photography-2","status":"publish","type":"post","link":"https:\/\/www.typeandforme.com\/index.php\/2018\/11\/27\/art-photography-2\/","title":{"rendered":"Art &#038; Photography"},"content":{"rendered":"\n<!--more-->\n\n\n<ul style=\"font-style:normal;font-weight:500;letter-spacing:1px;\" class=\"wp-block-latest-posts__list is-grid columns-3 has-link-color wp-elements-07f871c4e6979cff6092f3e74c07a57a wp-block-latest-posts has-text-color has-sitetext-color has-background has-sitebg-background-color has-normal-font-size\"><li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/www.typeandforme.com\/index.php\/2026\/04\/22\/sydney-cockerell-some-german-woodcuts-of-the-fifteenth-century-1898-1st-ed-one-of-225-copies-on-perch-paper-2250\/\" aria-label=\"Sydney Cockerell: Some German Woodcuts of the Fifteenth Century, 1898 &#8211; 1st ed., one of 225 copies on &#8216;Perch&#8217; paper. \u00a32,250\"><img loading=\"lazy\" decoding=\"async\" width=\"185\" height=\"300\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2026\/04\/3217_01-185x300.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"max-width:250px;\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2026\/04\/3217_01-185x300.jpg 185w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2026\/04\/3217_01-215x350.jpg 215w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2026\/04\/3217_01.jpg 350w\" sizes=\"auto, (max-width: 185px) 100vw, 185px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.typeandforme.com\/index.php\/2026\/04\/22\/sydney-cockerell-some-german-woodcuts-of-the-fifteenth-century-1898-1st-ed-one-of-225-copies-on-perch-paper-2250\/\">Sydney Cockerell: Some German Woodcuts of the Fifteenth Century, 1898 &#8211; 1st ed., one of 225 copies on &#8216;Perch&#8217; paper. \u00a32,250<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/www.typeandforme.com\/index.php\/2026\/04\/22\/william-morris-an-address-delivered-to-students-of-the-birmingham-municipal-school-of-art-1898-1st-golden-type-octavo-ed-125\/\" aria-label=\"William Morris: An Address Delivered\u2026 to Students of the Birmingham Municipal School of Art, 1898 &#8211; 1st &#8216;Golden Type&#8217; octavo ed. \u00a3125\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"273\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2026\/04\/3209_02-300x273.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"max-width:250px;\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2026\/04\/3209_02-300x273.jpg 300w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2026\/04\/3209_02-385x350.jpg 385w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2026\/04\/3209_02.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.typeandforme.com\/index.php\/2026\/04\/22\/william-morris-an-address-delivered-to-students-of-the-birmingham-municipal-school-of-art-1898-1st-golden-type-octavo-ed-125\/\">William Morris: An Address Delivered\u2026 to Students of the Birmingham Municipal School of Art, 1898 &#8211; 1st &#8216;Golden Type&#8217; octavo ed. \u00a3125<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/10\/20\/william-hogarth-the-five-order-of-periwigs-1761-150\/\" aria-label=\"William Hogarth: &#8216;The Five Orders of Perriwigs&#8217;, &#8216;1761&#8217;. \u00a3150\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/Hogarth-detail-1-300x300.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"max-width:250px;\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/Hogarth-detail-1-300x300.jpg 300w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/Hogarth-detail-1-150x150.jpg 150w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/Hogarth-detail-1-350x350.jpg 350w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/Hogarth-detail-1.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/10\/20\/william-hogarth-the-five-order-of-periwigs-1761-150\/\">William Hogarth: &#8216;The Five Orders of Perriwigs&#8217;, &#8216;1761&#8217;. \u00a3150<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/10\/01\/william-morris-the-story-of-cupid-and-psyche-1974-first-ed-no-38-of-270-sets-895\/\" aria-label=\"William Morris: The Story of Cupid and Psyche&#8230;, 1974 &#8211; 1st ed. with Morris&#8217; engravings, no 38 of 270 sets. \u00a3895\"><img loading=\"lazy\" decoding=\"async\" width=\"205\" height=\"300\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/3202_05-205x300.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"max-width:250px;\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/3202_05-205x300.jpg 205w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/3202_05-239x350.jpg 239w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/3202_05.jpg 400w\" sizes=\"auto, (max-width: 205px) 100vw, 205px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/10\/01\/william-morris-the-story-of-cupid-and-psyche-1974-first-ed-no-38-of-270-sets-895\/\">William Morris: The Story of Cupid and Psyche&#8230;, 1974 &#8211; 1st ed. with Morris&#8217; engravings, no 38 of 270 sets. \u00a3895<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/10\/01\/book-that-never-was-1st-ed-49-50\/\" aria-label=\"J.R. Dunlap: The Book that Never Was &#8230; William Morris &#8230; Edward Burne-Jones, 1971 &#8211; 1st ed. \u00a349.50\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"239\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/3201_01-300x239.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"max-width:250px;\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/3201_01-300x239.jpg 300w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/3201_01-439x350.jpg 439w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/10\/3201_01.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/10\/01\/book-that-never-was-1st-ed-49-50\/\">J.R. Dunlap: The Book that Never Was &#8230; William Morris &#8230; Edward Burne-Jones, 1971 &#8211; 1st ed. \u00a349.50<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/08\/09\/john-ruskin-james-s-dearden-ed-the-professor-1967-first-edition-19-50\/\" aria-label=\"John Ruskin &#8211; James S. Dearden, ed.: The Professor&#8230;, 1967 &#8211; first edition. \u00a319.50\"><img loading=\"lazy\" decoding=\"async\" width=\"187\" height=\"300\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/08\/2078_01-187x300.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"max-width:250px;\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/08\/2078_01-187x300.jpg 187w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/08\/2078_01-218x350.jpg 218w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/08\/2078_01.jpg 350w\" sizes=\"auto, (max-width: 187px) 100vw, 187px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/08\/09\/john-ruskin-james-s-dearden-ed-the-professor-1967-first-edition-19-50\/\">John Ruskin &#8211; James S. Dearden, ed.: The Professor&#8230;, 1967 &#8211; first edition. \u00a319.50<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/07\/10\/tony-mcgee-boxing-ballerinas-2000-first-edition-29-50\/\" aria-label=\"Tony McGee: Boxing Ballerinas, 2000 &#8211; first edition. \u00a329.50\"><img loading=\"lazy\" decoding=\"async\" width=\"243\" height=\"300\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/07\/3182_02-243x300.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"max-width:250px;\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/07\/3182_02-243x300.jpg 243w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/07\/3182_02-284x350.jpg 284w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/07\/3182_02.jpg 350w\" sizes=\"auto, (max-width: 243px) 100vw, 243px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/07\/10\/tony-mcgee-boxing-ballerinas-2000-first-edition-29-50\/\">Tony McGee: Boxing Ballerinas, 2000 &#8211; first edition. \u00a329.50<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/05\/28\/paul-lambotte-et-al-flemish-belgian-art-1300-1900-1927-1st-ed-no-1-of-1000-copies-39-50\/\" aria-label=\"Paul Lambotte et al.: Flemish &amp; Belgian Art, 1300-1900&#8230; , 1927 &#8211; 1st ed., No 1 of 1,000 copies. \u00a339.50\"><img loading=\"lazy\" decoding=\"async\" width=\"215\" height=\"300\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/05\/3173_05-215x300.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"max-width:250px;\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/05\/3173_05-215x300.jpg 215w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/05\/3173_05-251x350.jpg 251w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/05\/3173_05.jpg 400w\" sizes=\"auto, (max-width: 215px) 100vw, 215px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/05\/28\/paul-lambotte-et-al-flemish-belgian-art-1300-1900-1927-1st-ed-no-1-of-1000-copies-39-50\/\">Paul Lambotte et al.: Flemish &amp; Belgian Art, 1300-1900&#8230; , 1927 &#8211; 1st ed., No 1 of 1,000 copies. \u00a339.50<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/02\/28\/georges-braques-in-verve-an-artistic-and-literary-quarterly-spring-1938-first-edition-395\/\" aria-label=\"Georges Braques in Verve. An Artistic and Literary Quarterly, Spring 1938 &#8211; first edition. \u00a3395\"><img loading=\"lazy\" decoding=\"async\" width=\"221\" height=\"300\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/02\/3106_01-221x300.jpeg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"max-width:250px;\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/02\/3106_01-221x300.jpeg 221w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/02\/3106_01-258x350.jpeg 258w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/02\/3106_01.jpeg 400w\" sizes=\"auto, (max-width: 221px) 100vw, 221px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/02\/28\/georges-braques-in-verve-an-artistic-and-literary-quarterly-spring-1938-first-edition-395\/\">Georges Braques in Verve. An Artistic and Literary Quarterly, Spring 1938 &#8211; first edition. \u00a3395<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/02\/24\/francis-bond-gothic-architecture-in-england-1906-from-a-royal-institute-of-british-architects-associates-library-49-50\/\" aria-label=\"Francis Bond: Gothic Architecture in England&#8230;, 1906 &#8211; from a Royal Institute of British Architects Associate&#8217;s library. \u00a349.50\"><img loading=\"lazy\" decoding=\"async\" width=\"229\" height=\"300\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/02\/3144_01-229x300.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"max-width:250px;\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/02\/3144_01-229x300.jpg 229w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/02\/3144_01-267x350.jpg 267w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2025\/02\/3144_01.jpg 400w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.typeandforme.com\/index.php\/2025\/02\/24\/francis-bond-gothic-architecture-in-england-1906-from-a-royal-institute-of-british-architects-associates-library-49-50\/\">Francis Bond: Gothic Architecture in England&#8230;, 1906 &#8211; from a Royal Institute of British Architects Associate&#8217;s library. \u00a349.50<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/www.typeandforme.com\/index.php\/2024\/11\/30\/george-vertue-3-engravings-of-st-martin-in-the-fields-complete-suite-c-1744-450\/\" aria-label=\"George Vertue: 3 engravings of St Martin-in-the-Fields (complete suite), c. 1744. \u00a3450\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"204\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3102_03-lg-300x204.jpeg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"max-width:250px;\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3102_03-lg-300x204.jpeg 300w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3102_03-lg-768x523.jpeg 768w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3102_03-lg-514x350.jpeg 514w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3102_03-lg-512x350.jpeg 512w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3102_03-lg.jpeg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.typeandforme.com\/index.php\/2024\/11\/30\/george-vertue-3-engravings-of-st-martin-in-the-fields-complete-suite-c-1744-450\/\">George Vertue: 3 engravings of St Martin-in-the-Fields (complete suite), c. 1744. \u00a3450<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/www.typeandforme.com\/index.php\/2024\/11\/30\/sir-edward-walker-a-circumstantial-account-of-the-coronation-of-charles-the-second-1820-1st-ed-thomas-phillipps-copy-275\/\" aria-label=\"Sir Edward Walker: A Circumstantial Account of &#8230; the Coronation of &#8230; Charles the Second, 1820 &#8211; 1st ed., Thomas Phillipps copy. \u00a3275\"><img loading=\"lazy\" decoding=\"async\" width=\"293\" height=\"300\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3107_08-293x300.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"max-width:250px;\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3107_08-293x300.jpg 293w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3107_08-342x350.jpg 342w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3107_08.jpg 450w\" sizes=\"auto, (max-width: 293px) 100vw, 293px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.typeandforme.com\/index.php\/2024\/11\/30\/sir-edward-walker-a-circumstantial-account-of-the-coronation-of-charles-the-second-1820-1st-ed-thomas-phillipps-copy-275\/\">Sir Edward Walker: A Circumstantial Account of &#8230; the Coronation of &#8230; Charles the Second, 1820 &#8211; 1st ed., Thomas Phillipps copy. \u00a3275<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/www.typeandforme.com\/index.php\/2024\/06\/10\/e-w-tristram-english-medieval-wall-painting-1944-first-edition-125\/\" aria-label=\"E.W. Tristram: English Medieval Wall Painting&#8230;, 1944 &#8211; first edition. \u00a3125\"><img loading=\"lazy\" decoding=\"async\" width=\"220\" height=\"300\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/06\/3086_01-220x300.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"max-width:250px;\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/06\/3086_01-220x300.jpg 220w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/06\/3086_01-257x350.jpg 257w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/06\/3086_01.jpg 450w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.typeandforme.com\/index.php\/2024\/06\/10\/e-w-tristram-english-medieval-wall-painting-1944-first-edition-125\/\">E.W. 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