{"id":9685,"date":"2024-11-30T15:49:20","date_gmt":"2024-11-30T15:49:20","guid":{"rendered":"https:\/\/www.typeandforme.com\/?p=9685"},"modified":"2024-12-03T11:51:20","modified_gmt":"2024-12-03T11:51:20","slug":"edward-wilmot-ugolino-and-other-poems-1828-first-edition-175","status":"publish","type":"post","link":"https:\/\/www.typeandforme.com\/index.php\/2024\/11\/30\/edward-wilmot-ugolino-and-other-poems-1828-first-edition-175\/","title":{"rendered":"Edward Wilmot: Ugolino &#8230; And Other Poems, 1828 &#8211; first edition. \u00a3175"},"content":{"rendered":"\n<!--more-->\n\n\n\n<p class=\"has-text-align-center\"><strong>A ROMANTIC-ERA POEM, BASED ON A STORY WHICH INSPIRED DANTE AND SHELLEY, IN A CONTEMPORARY BINDING<\/strong><\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<p><strong>WILMOT, Edward.<\/strong>&nbsp;<em>Ugolino; or, The Tower of Famine. And Other Poems.&nbsp;<\/em>London: T. Brettell for William Sams, Royal Subscription Library, 1828.&nbsp;<\/p>\n\n\n\n<p>Octavo (163 x 101mm), pp. [2 (title, imprint on verso)], [i]-viii (part-title, verso blank, \u2018Preface\u2019, blank, \u2018Advertisement\u2019), [9-10 (\u2018Sonnet\u2019, verso blank)], [11]-94. (Some light spotting and occasional light marking, bound without the half-title [A]1 and final [?blank] l. G8.) Contemporary British half calf over marbled boards, spine gilt in compartments, gilt morocco lettering-piece in one, others decorated in gilt with central fleurons enclosed by floral cornerpieces, all edges sprinkled red. (Slightly rubbed and bumped, some superficial cracking on joints, short split on upper hinge.) A very good copy in a contemporary binding.&nbsp;<em>Provenance<\/em>: E. Evans, Cross, Carmarthen (early bookseller\u2019s ticket on upper pastedown) \u2013 Edward Harold Morris, Bryn Myrddin, Carmarthenshire (1850-1929, pencilled ownership inscription on title).<\/p>\n\n\n\n<p><br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"723\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3110_01.jpg\" alt=\"\" class=\"wp-image-9692\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3110_01.jpg 400w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3110_01-166x300.jpg 166w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3110_01-194x350.jpg 194w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n<\/div>\n\n\n<p><br><\/p>\n\n\n\n<p><strong>First edition.&nbsp;<\/strong>The title-poem, \u2018Ugolino; or, The Tower of Famine\u2019, takes its subject from events in the life of Ugolino della Gherardesca (<em>c<\/em>. 1220-1289), Count of Donoratico, the bellicose head of the Gherardesca family which was the leading Ghibelline house of Pisa during the 13th century. Ugolino forged an alliance with the rival Visconti family, leaders of the Guelph faction in the city, but a series of political and military conflicts created instability in Pisa, which only ended with a clash with Archbishop Ruggieri degli Ubaldini, the leader of the Ghibellines, who vanquished Ugolino on 1 July 1288. Ugolino, his son, and grandsons were captured, charged with treason, and incarcerated in Pisa\u2019s Torre dei Gualandi, where they eventually starved to death. One of the earliest accounts of these events is found in Giovanni Villani\u2019s early-14th-century&nbsp;<em>Cronica<\/em>, but the story achieved a lasting fame through its inclusion in Dante\u2019s&nbsp;<em>Inferno<\/em>, where Ugolino is placed in&nbsp;<em>Antenor<\/em>&nbsp;(a realm populated by those who betray their people) in the ninth circle of hell.&nbsp;<\/p>\n\n\n\n<p><br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"768\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3110_03.jpg\" alt=\"\" class=\"wp-image-9690\" style=\"width:300px\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3110_03.jpg 400w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3110_03-156x300.jpg 156w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3110_03-182x350.jpg 182w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n<\/div>\n\n\n<p><br><\/p>\n\n\n\n<p>In his \u2018Preface\u2019 Wilmot explains that his poem is not \u2018a mere imitation\u2019 of Dante\u2019s narrative (which also inspired Shelley\u2019s \u2018The Tower of Famine\u2019) or Byron\u2019s \u2018The Prisoner of Chillon\u2019 (which had been published in 1816 and was loosely based on another historical imprisonment), but that \u2018its groundwork differs in some material points from Dante\u2019s tale, the dramatis person\u00e6 being in one case a father and his four sons; in the other [<em>sc<\/em>. \u2018The Prisoner of Chillon\u2019], a father, two sons, and two infant grand-children: this is on the authority of Villani, who says, \u201cthe Pisans imprisoned the Count Ugolino with two of his sons and two of his grand-children, the offspring of his son, the Count Guelfo,\u201d &amp;c. Besides this difference, in Dante\u2019s magnificent but rapid sketch, many points of minor interest have been omitted which are yet deserving of attention\u2019 (pp. iv-v). Wilmot\u2019s poem is prefaced by the \u2018Advertisement\u2019, which reprints two lengthy extracts from Villani\u2019s account of Ugolino, and his \u2018Sonnet. To the Manes of those who were Starved by the Pisans in the Tower of Famine\u2019.&nbsp;<\/p>\n\n\n\n<p><br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"666\" src=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3110_02.jpg\" alt=\"\" class=\"wp-image-9691\" srcset=\"https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3110_02.jpg 400w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3110_02-180x300.jpg 180w, https:\/\/www.typeandforme.com\/wp-content\/uploads\/2024\/11\/3110_02-210x350.jpg 210w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n<\/div>\n\n\n<p><br><\/p>\n\n\n\n<p>\u2018Ugolino; or, The Tower of Famine\u2019 is followed by three further poems \u2013 \u2018The Broken Heart: A Fragment\u2019, \u2018The Maniac\u2019s Song\u2019, and \u2018Gipsy Scenes\u2019 \u2013 and the collection, which was advertised for sale at the price of 5<em>s<\/em>., appears to have been well received. One contemporary reviewer judged that \u2018[t]here are considerable felicity of poetical thought, and a good ear for versification, displayed in this poem\u2019, before concluding that \u2018Mr. Wilmot has, undoubtedly, great poetical taste, and considerable poetical talent. [&#8230;]. We shall be very glad [&#8230;] to see his hand again, whether in verse or prose\u2019 (<em>The London Magazine<\/em>, no. IV (July 1828), pp. 613-615), while another opined that \u2018on the whole, this is a very pleasing little volume, and deserves a happy fate\u2019 (<em>The Athen\u00e6um<\/em>, no. 38 (16 July 1828), p. 596).&nbsp;<\/p>\n\n\n\n<p>Interestingly, the title-poem may have been adapted for the stage by the prolific playwright and author Edward Fitzball (1793-1873), some years before it was collected in this volume; Fitzball\u2019s&nbsp;<em>Ugolino; or, The Tower of Famine<\/em>&nbsp;was performed at the Surrey Theatre, London on 26 December 1821 (<em>cf<\/em>. L.S. Clifton,&nbsp;<em>The Terrible Fitzball: The Melodramatist of the Macabre<\/em>&nbsp;(Bowling Green, OH, 1993), p. 188).&nbsp;<\/p>\n\n\n\n<p>T.W. Koch,&nbsp;<em>Catalogue of the Dante Collection Presented by Willard Fiske<\/em>, II, p. 490.<\/p>\n\n\n\n<p><strong>\u00a3175<\/strong><\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<p style=\"text-align:center\">\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7&nbsp;\u00b7<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\" style=\"letter-spacing:0.5px\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/shop.typeandforme.com\/product\/edward-wilmot-ugolino-and-other-poems-1828\/\" style=\"background-color:#003b7a\"><strong>Order this book from the Type &amp; Forme Shop<\/strong><\/a><\/div>\n<\/div>\n\n\n\n<p><br><\/p>\n\n\n\n<p class=\"has-text-align-center\" style=\"letter-spacing:0.5px\">Our&nbsp;<a href=\"https:\/\/www.typeandforme.com\/index.php\/terms-conditions-of-sale\/\">Terms &amp; Conditions<\/a>&nbsp;apply.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":9690,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53,65,10,51],"tags":[],"class_list":["post-9685","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-19th-century","category-all-books","category-literature","category-poetry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Edward Wilmot: Ugolino ... 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