I am delighted that Jeremy’s working library and archive are now with Magdalen, an institution that he had a particular affection for and where he gave one of his last lectures, “T.E. Lawrence: A Fascination with Portraits”, in 2015Nicole Wilson
The research collection of Jeremy Wilson, T.E. Lawrence’s authorised biographer:
now at Magdalen College, Oxford
At Type & Forme, we often have the privilege of placing private collections in suitable institutions. This was the case in 2018, soon after our foundation, when – with our assistance – Magdalen College, Oxford acquired the major collection of books, manuscripts, and iconography on the Arabist, soldier, and writer T.E. Lawrence (‘Lawrence of Arabia’, 1888-1935) that had served Lawrence’s biographer, Jeremy Wilson, as his research library.
At the time, Daryl Green, College Librarian, commented:
Magdalen is delighted to acquire this important research collection relating to Lawrence, one of the most celebrated twentieth-century figures associated with the college, through the generosity of our alumni and other patrons. This acquisition significantly enlarges our Lawrence holdings and will provide future scholars with access to Wilson’s manuscripts and typescripts, his library of books by and about Lawrence (many inscribed to him or annotated), and his remarkable collection of iconographic materials relating to Lawrence.
With this acquisition, Magdalen’s collections now include volumes from Lawrence’s own library at Cloud’s Hill, first and limited editions of books by Lawrence, artefacts and archives which illustrate Lawrence’s time as a Senior Demy at Magdalen (1911-1914), and rare portraits which have previously been exhibited at the National Portrait Gallery and the Imperial War Museum.
T.E. Lawrence graduated from Jesus College, Oxford in 1910 with first class honours and he was awarded a four-year’s Senior Demyship by Magdalen College, Oxford at the instigation of the distinguished archaeologist D.G. Hogarth, himself an alumnus and sometime fellow and tutor of Magdalen, and Keeper of the Ashmolean Museum. This award, worth £100 a year, enabled Lawrence to participate in the British Museum’s excavations at Carchemish organised by Hogarth, who would be the Director of the Arab Bureau during World War I (working closely with Lawrence during the Arab Revolt), and whose friendship was one of the most important in Lawrence’s life.
Jeremy Wilson (1944-2017) first became interested in Lawrence as an undergraduate at Balliol College, Oxford in the early 1960s. Some years later Wilson met T.E. Lawrence’s younger brother and literary executor, the archaeologist A.W. Lawrence, and, at his behest, Wilson edited T.E. Lawrence’s Minorities (1971) for Jonathan Cape. In 1975 Wilson was appointed T.E. Lawrence’s authorised biographer and began assembling a research collection of printed, manuscript, and graphic works to support his work on Lawrence, publishing introductions to the Penguin Modern Classics edition of Lawrence’s The Mint (1978) and the Limited Editions Club edition of Lawrence’s translation of The Odyssey in 1981, editing the Whittington Press edition of Lawrence’s Letters to E.T. Leeds (1988), and writing the catalogue of the National Portrait Gallery’s landmark exhibition T.E. Lawrence.
In 1989 Wilson published his magisterial Lawrence of Arabia; The Authorised Biography of T.E. Lawrence, which was widely praised for its meticulous scholarship, comprehensive research, and painstaking, almost archaeological, removal of the palimpsest of myth, rumour, and misinformation which had obscured Lawrence’s life.
this biography will endure beside Seven Pillars as [Lawrence’s] monument, and any future book about T.E. Lawrence will be but a commentary on itNigel Nicolson, review of Jeremy Wilson’s seminal Lawrence of Arabia; The Authorised Biography of T.E. Lawrence for The New York Times Review of Books
Lawrence of Arabia consolidated Wilson’s position as the pre-eminent authority on Lawrence and in the following decades he contributed to numerous journals, lectured on Lawrence internationally, and, with his wife Nicole, established the Castle Hill Press to publish finely-printed, scholarly editions of Lawrence’s letters and works.
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For further press coverage, see Fine Books & Collections.